Jumat, 30 November 2012

Asal Usul Celana Dalam


Pada awalnya underwear udah dikenal pada zaman Pharaoh (bahasa kitanya: Fir’aun). Manusia pada zaman sebelum masehi dulu udah mulai berpikir untuk menutupi sebagian tubuh yang ada dibawah pusar untuk menjaga kebersihan. Terutama dikalangan wanita. Para budak Fir’aun menutup kemaluannya dengan kain panjang yang dilipat-lipat menutupi bagian selangkangan sampai ke belakang menutupi pantat. Tujuannya untuk melindungi bagian penting itu supaya tidak mengalami lecet-lecet. Sementara, para bangsawan waktu itu hanya cukup memakai kain tipis (cawat) yang dikencangkan dengan sabuk emas.

Pada abad ke-18, di Inggris orang-orang ang pertama kali memakai underwear adalah kaum bangsawan terutama para istri** raja. Bentuk underwear pada waktu itu bukan yang kita pakai sehari-hari, mereka masih overall, hanya memakai sehelai kain tipis yang melindungi kulit dari kain yang kasar yang terbuat dari cotton wool yang pada waktu itu masih tergolong mahal.

Setelah 3000 tahun berlalu, sejak kejayaan kerajaan Fir’aun runtuh, kerajaan ini hanya menyisakan tulisan haerogryphliz, kuburan** kuno dan tentu saja ide brilian yang nantinya berevolusi jadi “kolor” atau “kancut” yang kita pake sekarang ini. Dengan adanya penemuan yang dipatenkan pada tahun 1793 oleh Elias Howe, dan juga dukungan revolusi industri, pembuatan underwear makin pesat di produksi saat itu. Saat perkembangan makin pesat, underwear yang dipakai lelaki pada umumnya memiliki bentuk yang menutupi seluruh badan atau disebut skivvies, sehingga disebut mens second skin. Underwear wanita yang paling terkenal dinamakan lingerie, yang juga berfungsi sebagai korset untuk menyusutkan perut, nggak sedikit juga dipakai para wanita agar terlihat langsing dibagian perut. Kurang lebih saat ini yang biasa dipakai oleh bintang bokep. Ya, seperti itu.

Tetapi, ketika perang dunia pertama para tentara sekutu komplain gara-gara skivvies yang dipakai cepat bikin infeksi kulit. Sementara, marinir angkatan laut Amerika juga protes karena skivvies sering bikin lecet “pistol dan 2 pelurunya” ketika dipakai di medan perang. Keluhan itu di dengar oleh pemerintah. Akhirnya, paman Sam segera membuatkan kancut khusus ARMY dengan bahan katun berwarna putih khusus untuk prajuritnya. Lalu dibuat juga waistband yang elastis. Yup, para tentara pada perang dunia pertama ini sangat bergantung pada kancut selain sepatu tebal dan helm yang berat. Kancut menjadi idola para tentara di medan perang. Namun gara2 kancut warna putih itu, mengundang para Nazi dari jerman menyerukan “Target White underwear!” Melihat, kancut putih jadi sasaran musuh, tentara Amerika segera merubahnya dengan corak kancut menjadi warna loreng yang berbaur dengan warna hutan. Dan divariasikan sesuai dengan aktivitas dan keperluan masing**. Pada waktu PD ke-1 ini udah memakai kancut brief atau yang berbentuk segitiga. Sekutu juga sudah memakai Boxer, kancut yang serupa dengan celana pendek dengan motif loreng harimau sampai polka dot.


Why underwear is become a very significant things
Tetapi pada tahun 80-an penggunaan kancut di Amerika pernah ditentang oleh sekelompok kaum Hippies. Mereka beranggapan bahwa penggunaan kancut pada semua kaum pria dan wanita sangat tidak natural dan juga mengekang kebebasan ekspresi diri. Mereka melakukan protes dengan aksinya yang cukup controversial. Kaum Hippies membakar seluruh celana dalam atau bra yang mereka ambil secara paksa dari took** pakaian maupun dari orang** yang memakainya.

Di Jepang, 12% kejahatan pencurian adalah mencuri pakaian dalam wanita. Di Indonesia sendiri pada paska tragedy kerusuhan 14 Mei 1998 lalu ketika itu banyak terjadi pemerkosaan di kalangan wanita, pernah dijual pakaian dalam yang dapat melindungi para wanita dari lelaki yang usil. Kancut itu dibuat dennnnnngan bahan baja dan kunci kombinasi nomor. Tujuannya untuk menjamin “si otong” nggak bakal dating kalo nggak diundang.


Underwear in a Millenium era
Pada awal 90-an underwear menjadi fashion oleh para designer terkemuka. Perusahaan raksasa macam Calvin Klein dan Jockey mewakili brand ternama underwear pria. Victoria’s secret adalah produsen terbesar underwear wanita yang terkemuka dan terkenal dengan berbagai variasi. Biasanya perusahaan ini sering melakukan launching produk mereka yang langsung diperagakan oleh model** cantik seperti Cindy Crawford, Tyra Bank, Claudia Sheiffeir dan bahkan pernah oleh Madonna.

Inovasi lainnya juga dilakukan dengan menggunakan kain** seperti sutra, lycra, satin dan bahkan ada yang tembus pandang. Para peneliti di Amerika mengatakan bahwa underwear menjadi suatu aphrodisiac (penambah motivasi sex), sehingga dibuatlah underwear wanita yang makin wow! Ada juga edible underwear (kancut yang bisa dimakan) buat mereka yang tidak suka kerepotan membuka kancut pada saat foreplay. Edge line juga menjadi bahan acuan dalam inovasi underwear dengan dibuat semakin mungil saja. Ada juga underwear terkemuka ang dikenal dengan nama thong atau G-String, yang hanya menutupi bagian depan saja sedangkan belakangnya terbuka dan memperlihatkan “kedua pipi” pantat dan strip linenya tersisip ditengah-tengah sehingga disebut calem, celana kedalem. Pada tahun 1990 diciptakan kancut sekali pakai. Pola* atau motif kancut juga mulai menjadi bahan inovasi dari yang sederhana sampai pola yang cukup extrim. Misalnya menggunakan kulit binatang seperti kulit macan, kulit buaya dan kulit ular. Dan biasanya underwear** hasil rancangan para designer terkemuka dijual dengan harga yang sangat mahal. Di Perancis bahkan pernah dipamerkan underwear termahal karena diberi aksesoris permata seperti berlian.

Kancut menjadi masalah penting buat kegiatan kita sehari-hari. Tanpa kancut, mungkin pembalut wanita atau salep jamur harganya bisa selangit. Selain itu kancut juga bisa menurunkan tingkat penderita turun berok. Jadi, sudah sepantasnya kita meberi penghormatan pada kancut yang telah mengalami sejarah yang cukup panjang dan dipakai oleh semua orang di seluruh dunia. A tribute to kancut. Nggak hanya merakan Valentine day atau pesta Haloween kita juga bisa memberi penghormatan untuk merayakan HARI BESAR KANCUT bareng pacar..hehe.. becanda gan..



Learn Music: Oceans bass tab - Pearl Jam tabs

All lyrics are property and copyright of their respective owners and are provided for educational purposes only. This site is a not-for-profit project. All advertising proceeds are used to maintain its servers.


Oceans
by
Pearl Jam
from PePPeRs o0@aol.com
real name scott b


Verse D
-||-----7--------7--7h9--7--|--6--------|---------------|-----------------
-||-------------------------|-----6--7--|--9--9/7-----7|-----------------
-||-------------------------|-----------|---------------|-----------------
-||-------------------------|-----------|---------------|-----------------


C pre chorusC5
---------------||---------5---5--------------5--5--------|----------------
4-----6--6h0---||----------------------------------------|----------------
---------------||---3--3---------3-----3--3--------3--3--|----------------
---------------||----------------------------------------|----------------


Chorus D6
--------------------------------------------------------------------------
--------------------------------------------------------------------------
----------------------------------------5--5---5--5-----5--5--5--5--5-----
--------------------------------------------------------------------------


D
---|---------------------------------------||-----------------------------
---|---------------------------------------||-----------------------------
5--|---5--5--5--5-----3--3--3--3--3--3--3--||-----------------------------
---|---------------------------------------||-----------------------------


All lyrics are property and copyright of their respective owners and are provided for educational purposes only. This site is a not-for-profit project. All advertising proceeds are used to maintain its servers.

Learn Music: Come Join Us guitar chords - Bad Religion tabs

All lyrics are property and copyright of their respective owners and are provided for educational purposes only. This site is a not-for-profit project. All advertising proceeds are used to maintain its servers.


Come Join Us
Transcription by Jody Beaulac.

Rhythm 1:
E C G A E

(w/ Rhythm 1)
So you say you gotta know why the world goes around
And you can't find the truth in the things you've found
And you're scared shitless 'cause evil abounds
Come join us

Well I heard you were looking for a place to fit in
Full of adherent people with the same objective
A family to cling to and call brethren
Come join us

G D E E E E
All we want to do is change your mind

G D B
All you need to do is close your eyes

E C
Come join us

E G D
Come join us

E C B
Come join us

(w/ Rhythm 1)
Don't you see all the trouble that most people are in
And that they just want you for their own advantage
But I swear to you we're different from all of them
Come join us

I can tell you were looking for a way to live
Where truth is determined by consensus
Full of codified arbitrary directives
Come join us

G D E E E E
All we want to have is your small mind

G D B
Turn it into one of our kind

E C
You can go through life adrift and alone

G D
Desperate, desolate, on your own

E C B
But we're looking for a few more stalwert clones

E C
Come join us

E G D
Come join us

E C D
Come join us

(w/ Rhythm 1)
We've got spite and dedication as a vehement brew
The world hates us, well we hate them too
But you're exempted of course if you
Come join us

Independent, self-contented, revolutionary
Intellectual, brave, strong, and scholarly
If you're not one of them, you're us already

E C
Come join us

E G D
Come join us

E C D
Come join us


All lyrics are property and copyright of their respective owners and are provided for educational purposes only. This site is a not-for-profit project. All advertising proceeds are used to maintain its servers.

Kamis, 29 November 2012

Learn Music: The Final Command bass tab - Slayer tabs

All lyrics are property and copyright of their respective owners and are provided for educational purposes only. This site is a not-for-profit project. All advertising proceeds are used to maintain its servers.


Song: The final command
Artist: Slayer
Album: Show no mercy

Intro
G:-------------------------------------------------------------
D:----------------------------------------------------1----1---
A:----1-3----1-3----1-3----1-3----1----1----1----1--1----1-----
E:--1------1------1------1------1----1----1----1---------------


G:------------
D:------------
A:---1----1---
E:-1----1-----

Verse-Part I
G:-------------------------------------------
D:-------------------------------------------
A:-5-5-5-5-5-5-5-5--5h3---3--5--5h3---3------
E:----------------------5-----------5----5---

Verse-Part II
G:---------------------------------------------
D:---------------------------------------------
A:-7-7-7-7-7-7-7-7--7-7--7-5--7--7-7--7-5--7---
E:---------------------------------------------

Verse-Part III
G:---------------------------------------------
D:-----------------------7-5----------7-5------
A:-7-7-7-7-7-7-7-7--7-7-------7--7-7-------7---
E:---------------------------------------------

Chorus-Part I
G:-------------------------------------------
D:------------------9p7---7-----9p7---7------
A:-2-2-2-2-2-2-2-2------9----9------9----9---
E:-------------------------------------------

Chorus-Part II
G:-------------------------------
D:-------------------------------
A:-3--3-3-3-3--35--5-5-5-5--5---
E:-------------------------------

Chorus-Part III / Outro-Part I
G:----------------
D:----------3-2---
A:-72-3--5-------
E:----------------

Chorus-Part IV / Outro-Part II
G:----------------
D:----------5-4---
A:-72-3--5-------
E:----------------

Guitar-Solo-Part
G:-------------------------------------------------
D:-------------------------------------------------
A:-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7-7--5-5-5-5-5-5-5-5
E:-------------------------------------------------

G:-------------------------------------------------
D:-------------------------------------------------
A:5-5-5-5-5-5-5-5--3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-
E:-------------------------------------------------

G:------------------------
D:------------------------
A:-2-2-2-2-2-2-2-2-3--5---
E:------------------------

Outro-Part III
G:---------
D:---------
A:----7----
E:----0----

If you have questions according to the order of the parts, e-mail me!

Enjoy it!
Viel Spaß!


Transcribed by Marco "Funky Stone" Scheidweiler
Comments or suggestions, please email me at MrcSchdwlr@aol.com


All lyrics are property and copyright of their respective owners and are provided for educational purposes only. This site is a not-for-profit project. All advertising proceeds are used to maintain its servers.

Learn and Play Music: Nice Dream bass tab - Radiohead tabs

All lyrics are property and copyright of their respective owners and are provided for educational purposes only. This site is a not-for-profit project. All advertising proceeds are used to maintain its servers.


#---------------------------------PLEASE NOTE----------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#------------Created with Taborama Tab Creator-----www.taborama.com------------#
#------------------------------------------------------------------------------#

Title: Nice Dream
Artist: Radiohead
Album: The Bends

Instrument: 4 String Bass

Tabbed by: Sonny (stupidsonny@yahoo.com)

Tuning: Standard (E A D G)

I tabbed this off a live version, because the bass was more audible, Alright I updated the bridge, so it sounds a lot better now :-) live version. 6/8.

Intro
|-------------------------------------------------||
|-------------------------------------9-7---------||
|-------------------------------------------------||
|--5--5-5-5--5--5-5-5--5--5-5-5--5-5--------------||

VerseA:
G|-------------------------------------------------------------------||
D|-------------------------------------------------------------------||
A|---------------------------------------7---5--5-5---5--5-5---5--5-5||
E|-5--5-5---5--5-5---5--5-5---5--5-5---5-----------------------------||

VerseB:
G|--------------------------------------------------------------------------||
D|--------------------------------------------------------------------------||
A|5-5-5--5--5-5--5--5-5---5--5-5---5-5-5---7--7-7---7--7-7---7--7-7--7-9-7--||
E|--------------------------------------------------------------------------||

VerseC:
G|--------------------------------------------------------------------------||
D|--------------------------------------------------------------------------||
A|5-5-5--5--5-5--5--5-5---5--5-5---5-5-5---7--7-7---7--7-7---7--9--10--12---||
E|--------------------------------------------------------------------------||


Chorus:
|-------------------------------------------------------------------||
|-------------------------------------------------------------------||
|------------------------------7--7-7--7--7-7--7--7-7--7--7-7-------||
|-7--7-7--7--7-7--7--7-7--7-7---------------------------------------||

ChorusA:
G|-------------------------------------------------------------------||
D|-------------------------------------------------------------------||
A|-0-0-0-12-12-12--0-0-0-12-12-12--0-0-0-12-12-12--0-0-0-10h12-12-12-||
E|-------------------------------------------------------------------||

ChorusB:
|-------------------------------------------------------------------||
|-------------------------------------------------------------------||
|----------------------------9--9-9--9--9-9--9--9-9--9-9------------||
|-5---5-5--5--5-5--5--5-5------------------------------------------||

ChorusC:
|------------------------------------------------------||
|------------------------------------------------7-s9-9||
|------------------------------------------------------||
|-7--7-7--7--7-7--7--7-7--7--7-7--7--7-7--7--7-7-------||

Bridge:
|------------------------------------------------||
|------------------------------------------------||
|-0-0-0-0-0-0-2-2-2-2-2-2-3-3-3-3-3-3-5-5-5-5-5-5||
|------------------------------------------------||

BridgeA:
|------------------------------------------------||
|-------------------------------------------3-5-3||
|-0-0-0-0-0-0-2-2-2-2-2-2-3-3-3-3-3-3-3-5-6------||
|------------------------------------------------||
Order:
Intro
VerseA
VerseB
VerseA
VerseC
Chorus
ChorusA
VerseA
VerseB
VerseA
VerseC
Chorus
ChorusB
Chorus
ChorusB
ChorusC
Bridge:?X
BridgeA
Bridge:?X
BridgeA
Outro:No Bass.


All lyrics are property and copyright of their respective owners and are provided for educational purposes only. This site is a not-for-profit project. All advertising proceeds are used to maintain its servers.

Learn Music: The Temples Of Syrinx bass tab - Rush tabs

All lyrics are property and copyright of their respective owners and are provided for educational purposes only. This site is a not-for-profit project. All advertising proceeds are used to maintain its servers.


Rush: The Temples of Syrinx
>From the album 2112 (Mercury Records)
Copyright 1976 Core Music Publishing
Music by Lee and Lifeson
Lyrics by Peart

Comments/corrections to Sean Jones <seanj@execpc.com>

Transcribed by Sean Jones


2 mm h+Q e E s e e E s e e E s e
||---rest---|-r-----||------------------|---------|---
||----------|-e-----||*-----------------|---------|---
||----------|-s-----||*---------------3-|---------|---
||----------|-t---0-||--5-5-5-0-5-5-5---|-3-3-3---|---


e e q e E s e e E s e e h+Q e 3x E s e e E s e e E s e e
--------|-----------------|--------||-----------------|-----------
--------|-----------------|-------*||-----------------|-----------
3---5---|---------------3-|-------*||---------------3-|-------3---
--3---0-|-5-5-5-0-5-5-5---|-3---0--||-5-5-5-0-5-5-5---|-3-3-3-----


e q e E s e e E s e e e e e e e e e e+ e e e e e e e e+
------|-----------------|-----------------||-----------------|----
------|-----------------|-----------------||-----------------|----
--5---|---------------3-|---------0-----2-||---1-2-1-2-------|----
3---0-|-5-5-5-0-5-5-5---|-3-0-2-3---3-0---||-----------0-2-3-|----


e e e e e e e e+ e e e e e e e e+ e e e e e e e e+ e e e e e
----------------|-----------------|-----------------|-------------
----------------|-----------------|-----------------|-------------
----------------|-----------------|---------0-----2-|---1-2-1-0---
--2-3-2-3-2-3-5-|---4-5-4-5-4-5-7-|--0-2-3---3-0---|-------------


e e+ e e e e e e e e+ e e e e e e e e+ e e e e e e e e+ e e e
----|-----------------|-----------------|-----------------|-------
----|-----------------|-----------------|-----------------|-------
----|-----------------|-----------7-----|---------0-----2-|---1-2-
2-3-|---2-3-2-3-2-3-5-|---4-5-4-5---5-7-|--0-2-3---3-0---|-------


e e e e e+ e e e e e e e e+ e e e e e e e e+ e e e e e e e e+
----------|-----------------|-----------------|-------------------
----4-----|-----------------|-----------------|-------------------
1-2---2---|-----------5-----|-----------7-----|---------0-----2---
--------3-|---2-3-2-3---3-5-|---4-5-4-5---5-7-|--0-2-3---3-0-----


e e e e e e e e+ e e e e e e e e+ e e e e e e e e e e e e
|-----------------|-----------r-----|-----------------|-r---------
|-----------4-----|-----------e-----|-----------------|-e---------
|---1-2-1-2---2---|-----------s-----|-----------7-----|-s---------
|---------------3-|---2-3-2-3-t-3-5-|---4-5-4-5---5-7-|-t-0-2-3---


e e q s s s e e s e e e e s s s e e s e e e e s s s e e s
------|---------------r---r-|---------------r---r-|---------------
------|---------------e---e-|---------------e---e-|---------------
0---5-|---------------s-5-s-|---------------s---s-|---------------
--2---|-7-7-7-7-7-7-7-t---t-|-7-7-7-7-7-7-7-t-3-t-|-7-7-7-7-7-7---


e e e e s s s e e s e e w e e e e e e e e E s e e
--r---r-|-------------------r-|------|-----------------||------------
--e---e-|-3:----------------e-|-4:---|-----------------||------------
--s-5-s-|-4:----------------s-|-4:---|-----------------||------------
7-t---t-|-----7-7-7-7-7-7-7-t-|----3-|-3-3-3-3-3-3-3-0-||--5-5-5-0---


E s e e E s e e e q e E s e e E s e e h+Q e E s e e E
--------|---------------|-----------------|--------|--------------
--------|---------------|-----------------|--------|--------------
------3-|-------3---5---|---------------3-|--------|--------------
5-5-5---|-3-3-3---3---0-|-5-5-5-0-5-5-5---|-3---0--|--5-5-5-0-5---


s e e E s e e e q e E s e e E s e e e e e e e e e e+ e
------|---------------|-----------------|-----------------||------
------|---------------|-----------------|-----------------||------
----3-|-------3---5---|---------------3-|---------0-----2-||------
5-5---|-3-3-3---3---0-|-5-5-5-0-5-5-5---|-3-0-2-3---3-0---||------


e e e e e e e+ e e e e e e e e+ e e e e e e e e+ e e e e e e
--------------|-----------------|-----------------|---------------
--------------|-----------------|-----------------|---------------
1-2-1-2-------|-----------------|-----------------|---------0-----
--------0-2-3-|---2-3-2-3-2-3-5-|---4-5-4-5-4-5-7-|--0-2-3---3---


e e+ e e e e q e e+ e e e e e e e e+ e e e e e e e e+ e e e
----|---------------|-----------------|-----------------|---------
----|---------------|-----------------|-----------------|---------
--2-|---1-2-1-2-----|-----------------|-----------7-----|---------
0---|-----------2-3-|---2-3-2-3-2-3-5-|---4-5-4-5---5-7-|--0-2---



e e e e e+ e e e e e e e e+ e e e e e e e e+ e e e e e e e e+
----------|-----------------|-----------------|-----------------|-
----------|-----------4-----|-----------------|-----------------|-
--0-----2-|---1-2-1-2---2---|-----------------|-----------7-----|-
3---3-0---|---------------3-|---2-3-2-3-2-3-5-|---4-5-4-5---5-7-|-


e e e e e e e e+ e e e e e e e e+ e e e e e e e e+ e e e e e
----------------|-----------------|-----------------|-------------
----------------|-----------4-----|-----------------|-------------
--------0-----2-|---1-2-1-2---2---|-----------5-----|-------------
-0-2-3---3-0---|---------------3-|---2-3-2-3---3-5-|---4-5-4-5---


e e e e e e e e e q s s s e e s e e e e s s s e e s e e e
------|-r-------------|---------------r---r-|---------------r-----
------|-e-------------|---------------e---e-|---------------e-----
7-----|-s-------0---5-|---------------s-5-s-|---------------s-----
--5-7-|-t-0-2-3---2---|-7-7-7-7-7-7-7-t---t-|-7-7-7-7-7-7-7-t-3---


e s s s e e s e e e e s s s e e s e e w+ h h w
r-|---------------r---r-|-------------------r-|-------|---r-|-r---
e-|---------------e---e-|-3:----------------e-|-4:----|---e-|-e---
s-|---------------s-5-s-|-4:----------------s-|-4:----|---s-|-s---
t-|-7-7-7-7-7-7-7-t---t-|-----7-7-7-7-7-7-7-t-|-----3-|---t-|-t---


==================================================================
== TABLATURE EXPLANATION ==
==================================================================

---------- ----------
----5h8--- Hammeron ----(8)--- Ghost Note
---------- ----------
----5p8--- Pulloff ----------

---------- ----------
----5/8--- Slide Up -----x---- Dead Note
---------- ----------
----58--- Slide Down ----------

---------- ||------|| Repeat Start & End
----5~~~-- Vibrato ||*----*||
---------- ||*----*||
---------- ||------||

Rhythm:
w = whole note W = dotted whole
h = half note H = dotted half
q = quarter note Q = dotted quarter
e = eighth note E = dotted eighth
s = sixteenth note S = dotted sixteenth
^ = triplet

==================================================================
== Created with a demo version of BUCKET O' TAB ==
== tablature creation software for Windows ==
== For more info email gse@his.com ==
==================================================================


All lyrics are property and copyright of their respective owners and are provided for educational purposes only. This site is a not-for-profit project. All advertising proceeds are used to maintain its servers.

Learn and Play Music: Limelight guitar tab - Rush tabs

All lyrics are property and copyright of their respective owners and are provided for educational purposes only. This site is a not-for-profit project. All advertising proceeds are used to maintain its servers.


#

Guitar tabs for : Limelight

Transcription by: Joe Kung (jtkung@caf.mit.edu)
Patrick Ryan

The solo is a blatant infringement of copyright, for it has been reproduced
without permission by Frank Schaapherder (schaaphe@serc.nl). It originally
appeared in Guitar, May 85.

Intro:
------

|----------------------|
|----------------------|
|-----------4---4---2--|
|---------2-4---4---2--|
|-----0-4---2---2---0--|
|-0-4-------------4----|
[repeat 3 times, with different phrasings]


Transition from intro:
|-----------|
|-----------|
|-----------|
|---------2-|
|-----0-4---|
|-0-4-------|


B A E [no 3rd]
|------------------------|
|------------------------|
|-4-4-2-2----------------|
|-4-4-2-2--2-------------|
|-2-2-0-0--2------0-4-0--|
|----------0--2-4--------|
[six times]


Verse:
------

------0---0------------------0--------------0-------0----------------
----------0------------------0------------0-0------------------------
----4---4--------------------4------------4-------4---------6-6------
--4---------6--6--4-4--4--2-----4-4-2---2-------4-----4---6-4-4-4-4--
2-----------6--6--4-4--4--2-----4-4-2---2-----2---------6-6-6-6-4-4--
------------4--4--2-2--2--0-----2-2-0---0-----------------4-4-4-2-2--


Riff between verses:
|------------------------|
|------------------------|
|----4-----2-------------|
|--4-----2---2-----------|
|2-----0-----2-----0-4-0-|
|------------0-2-4-------|
[repeat two times]


Chorus:
-------
measure 3/4
Chorus arpeggiation:
|----------------------------------|-----------|
|-------0----------0----------0----|-------0---|
|---------6----------3-------------|---------6-|
|-----4----------2----------4------|-----4-----|
|---6----------2----------4--------|---6-------|
|-4----------0----------2----------|-4---------|
[repeat twice]

Then the straight rhythm ("Those who wish to be..")
measure 4/4:

---------------------------------------------------------------------
---------------------------------------------------------------------
---------------------------------------------------------------------
2-2-2-2-2-2-2-2-4-4-4-4-4-4-4-4-6-6-6-6-6-6-6-6----------------------
2-2-2-2-2-2-2-2-4-4-4-4-4-4-4-4-6-6-6-6-6-6-6-6----------------------
0-0-0-0-0-0-0-0-2-2-2-2-2-2-2-2-4-4-4-4-4-4-4-4----------------------

----0-------0-------0---------0-------4-----4------------------------
----0-------0-------0---------0-------4-----4------------------------
----1-------1-------3---------3-------6-----6------------------------
2-2-2-2-2-2-2-2-4-4-4-4-4-4-4-4-4-6-6-6-6-6-6-6----------------------
2-2-2-2-2-2-2-2-4-4-4-4-4-4-4-4-4-6-6-6-6-6-6-6----------------------
0-0-0-0-0-0-0-0-2-2-2-2-2-2-2-2-2-4-4-4-4-4-4-4----------------------

Fill up one measure with E and one with F#7add4 in 4/4 rhytm,
go back once to the arpeggio. Then do the second riff of the intro twice and
go back to the verses etc. etc.

Solo:
-----

Right before the solo in the chorus, instead of returning to the chorus
arpeggiations, play the G# sus 4 for one more measure, then go ahead with:

-_-------------------------------------------------------------------
2-0-!-12->-(9)-------------------------------------------------------
-----------------------------------------X-11------------------------
---------------------------------------------------------------------
------------4--4->-6->-2->-4->-2->-----------------------------------
-----------------------------------2->-4-----------------------------
NH

---12->-14--------14-----------11-------14-------11-------14---------
12------------12-----11-14--------12-11----11-12----12-11------------
-----------11--------------13----------------------------------------
---------------------------------------------------------------------
---------------------------------------------------------------------
---------------------------------------------------------------------

------11-------------------------------------------------------------
11-12----14----11--------_--_--_-------------------------------------
------------13----11---11-13-11-13->-1-------------------------------
---------------------------------------------------------------------
---------------------------------------------------------------------
---------------------------------------------------------------------

_ _
16->-(19)!--14-16->-(18)-!->-16-14-16-18-16--16-18-16--18-19-16------
---------------------------------------------------------------------
---------------------------------------------------------------------
---------------------------------------------------------------------
---------------------------------------------------------------------
---------------------------------------------------------------------

18-19-18--19-21-21->-(23)-!------------------------------------------
---------------------------------------------------------------------
---------------------------------------------------------------------
---------------------------------------------------------------------
---------------------------------------------------------------------
---------------------------------------------------------------------

Hold the last note almost indefinately. A little (or actually, a bit more)
feedback wouldn't hurt. It's the incredibly long magic note.

After the solo, play the chorus arpeggiation once more, and get back into the
chorus. The final chord of the song is the G#sus4 again.

--
Legend:

| - A pair of these indicate a part of music, not the usuals bars.
: - Indicates that a part is to be repeated. This may be ommited, you should
hear it too.
_ - Indicates a hammer-on or pull-off (You should know which is appropriate)
> - Indicates a bend-up or down or a slide. With a bend, the note to bend to
is between '(' and ')'. Use the whammy for a downbend. With a slide, the
follow-up note is the one to be slid to.
! - Indicates vibrato.
^ - Indicates a tapped harmonic. Is printed below the note.
. - Under the strings, it indicates the note is staccato (short).
- Indicates a general slide downwards from note, to no note in particular.
AH - Indicates adding artificial harmonic with pick hand.
NH - Natural harmonic.

----
For corrections or questions on the tabs, contact the author. If no e-mail
address is included, contact Frank or Mario, addresses below. Contact Frank
for guitar tabs, and Mario for bass tabs.

For remarks, suggestions or additions on the tab 'archive', contact:

Frank (guitar) or Mario (bass)
(schaaphe@serc.nl) (motcid!marble!dalessio@uunet.uu.net)

HAPPY PLAYING!!


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